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Buddhist Music |
Music at the time of the Buddha Buddhist style music recognizes its origin in India from 1500 to 2000 B.C.E. It came from the Sama Veda1 of the Rg-veda2 sacred texts, thus providing the roots of Sabdavidya3 and fan-bei. Fan-bei literally means heavenly with harmony and is sung in praise of the Buddha's moral integrity. Such music is characterized by five basic traits, namely uprightness, elegance, clarity, heart warming and easily understood. It is with these profound implications in mind that Sakyamuni Buddha commended this music for its artistic and appealing nature. In the Avatamsaka-sutra, it mentions that Buddhist music is also a means of promoting the Dharma. The Buddha once made use of poetic chants and gathas to teach about Bhutatathata and the universal truth of human life. This was a means of easy comprehension so his disciples could memorize and recite them. Bhiksu Patha was among the best contemporary singers during the Buddha's time. In the Saddharna Pundarika Sutra4, it mentions that the Buddha had said, "to sing in praise of the Buddha's moral integrity with a joyful mind is also the path to Buddhahood." In the Ten Chanting Vinaya, the Buddha complimented Bhiksu Bhadra, "Hearing what you sing, five benefits are attained: there is no physical or mental fatigue, what has been memorized will never be forgotten, the voice will not deteriorate and the verses are easily comprehended." So, we can see that Buddhist music not only promotes spiritual sentiment and purifies the mind, it also generates the importance of benefiting others. As mentioned in the Damamukl Nidana Sutra:
With this peaceful state of mind and compassion, expressed through the chanting of fan-bei, harmonious sympathetic understanding can be aroused in the minds of human beings and even be generated within the Buddha-nature of animals.
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Fo Guang Shan Buddhist Monastic Choir
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